Category Archives: Visual Arts

Youth Art: West End House

Can’t Stop (acrylic paint and pencil on paper), a piece by West End House Boys and Girls Club youth artist Aleynna Quinones.“Can’t Stop” (acrylic paint and pencil on paper) is a piece by West End House Boys and Girls Club youth artist Aleynna Quinones.

On her inspiration for the piece, Aleynna says, “Malala is a well-known, current women’s and Muslim rights activist. The black censor bar over her mouth symbolizes her being silenced along with many other women and Muslims. The colorful geometric design in the background stands for Malala’s perseverance and strength.”

Nano-Interview with Kahmal London of the Clubhouse Network

Kahmal LondonName: Kahmal London
Organization: The Clubhouse Network
Title: Coordinator/ Program Manager
Artistic Genre: Fantasy Art
Years in the Field: 3 Months

What do you do at the Clubhouse Network?
At the Flagship Clubhouse, I work as a Coordinator who manages the Clubhouse space and all the materials present. Most of my time is spent encouraging the youth to be inspired and take ownership and responsibility for their work and desires. I work to help the youth take pride in the amazing work they create, and am passionate about helping them achieve their goals. I work with and discover new, innovative ways to be creative with the tools we have available, and share them with Clubhouse members and Mentors. I also perform outreach to various organizations within our community to attract more members to our space and increase productivity.

Why do you do what you do?
I was a member of the Clubhouse as a youth in high school and learned many different techniques on how to apply myself artistically. I was offered techniques and tools that I would not have had the chance to experiment with outside of the Clubhouse, such as Adobe Creative Suite. I work as a Coordinator to ensure that youth are offered the same experiences I had that they may not have at home. I aim to encourage and inspire youth to use their imaginations to be as creative as possible and apply that to their careers and educational goals.

What comes easiest to you in this work?
I’m a highly optimistic person who sees the potential in everyone I meet. I feel one of my greatest strengths is discovering creativity and helping it flourish in the best way possible. I love meeting new members, discovering what they like, and inspiring them to continue to build upon their work to take it levels above what they originally imagined.

What challenges you in this work?
Two challenges I’ve discovered so far are planning and community building. I have long term plans of how I imagine the Clubhouse to be, but could do better at creating short term steps on how to achieve these goals. As I am a relatively new Coordinator, there are many long-term members that have their own visions on how they see our space. With more time, I would like to know each and every member and formulate a way to respect everyone’s wishes and desires of how they operate in our creative space.

What does it mean to your community that you do this work?
The Clubhouse serves as a creative space for underserved youth who may not have the equipment needed to expand their imaginations. In my youth, I was one of those individuals who did not have the creative equipment available, but had a wild imagination. The Clubhouse inspired me to use my artistic talents to attend a four year college. It is very personal and important to me that we provide a space for youth to be creative for those who have never had the opportunity to do so. There are some very creative youth in my home neighborhood that could benefit from being a Clubhouse member and exploring their creativity. I am very passionate about my community acknowledging that we care about our youth’s dreams and aim to provide many opportunities for them to grow and know they are amazing!

How do you blow off steam?
Drinking water really helps to calm me down. I am patient person and rarely get angry, but if I do, I drink water. I also laugh a lot.

What do you create in your free time?
I illustrate many different concepts in my free time. I’m an animal lover so I practice drawing different animals often. I also grew up reading comic books and playing a lot of video games so many of my drawings may revolve around those. When I have time, I also animate my illustrations, sculpt with clay, and paint.

Whose work in the Creative Youth Development field do you admire and why?
I attended Artists For Humanity when I was younger and was mentored under Robb Gibbs. He is a big influence on my creative style and how to manage myself artistically. His work is inspiring not only for me, but many others I grew up with and has done a lot for our community. I aim to inspire others the way he inspired me to never give up on my passions.

Seen any good movies lately?
Avengers: Infinity War was a big deal to me and was everything I wanted out of it. I love Marvel comics so I watched it expecting a lot to be influenced off the comic series and was so excited to learn it was completely different. Very creative and well done.

The unauthorized biography of your life is titled:
Small Canvas – Big Imagination

What’s next?
Continuing to be creative and inspiring!

 

See Kahmal’s work:
http://www.wisemidasworld.tumblr.com/
https://www.instagram.com/violx

Podcast: Rooted in Arts, Activism, and Social Justice

Vanessa Calderon-RosadoOn the Mass Cultural Council’s podcast, Creative Minds Out Loud, we spoke with Vanessa Calderón-Rosado of IBA-Inquilinos Boricuas en Acción.

Vanessa Calderón-Rosado, Ph.D., is the CEO of IBA, a community development corporation dedicated to empowering individuals through education, workforce development, and arts programs. She shares IBA’s holistic approach to youth development and how the arts unleash the collective power and voice of the young people they serve.

Listen to the episode.

Read the transcript.

Check out other episodes featuring Creative Youth Development leaders.

Triptych of Teen Art on the T

Last week, art by Boston-area teens premiered at numerous MBTA stations.

Created in collaboration with the Institute of Contemporary Art/Boston (ICA)  and Massachusetts Department of Transportation, these innovative video works share the creative voices of young people in Boston.

“The ICA’s award-winning teen arts program serves 1000s of young people every year, creating informed future artists, leaders, citizens, and audiences,” said ICA Charlotte Wagner Director of Education Monica Garza. “This partnership with the MBTA presented an exciting opportunity to share their creative voices with a larger Boston community.”

Three Teen Arts Program members—Mithsuca Berry of Revere, Gabe S. of Boston, and Sydney A. Bobb of Boston—proposed and created short videos around the collaborative themes: “whimsy,” “love letter to Boston,” and “peace and quiet.”

Berry’s video Shades of the City makes use of hand-drawn stop-motion animation and tells the story of a woman of color who falls asleep on the train and dreams about painting the city of Boston in her likeness.

Bobb’s work Fraternal Eclipse tells the stories of three passengers whose lives intersect for a brief moment on public transportation, leaving them with deeper thoughts than they had expected.

S.’s work A Walk in the Park pays tribute to the beauty of Boston through a series of timelapse videos capturing moments of life throughout Boston Common, from the statehouse to the frog pond.

“In addition to providing critical customer-focused information, the T’s new digital network is providing a canvas to highlight excellent creative work from local teens, ” said MBTA General Manager Luis Manuel Ramírez.

Nano-Interview with Pedro Cruz of IBA

Pedro CruzName: Pedro Cruz
Organization: IBA (Inquilinos Boricuas en Accion)
Title: Youth Arts Program Coordinator
Artistic Genre: Photography/Poetry
Years in the Field: 11

What do you do at IBA?
I am currently the Youth Arts Program Coordinator for IBA’s Youth Development Team. This means I work with teens on a daily basis throughout the school and summer cycle. According to my job description my duties are to design art based curriculum that introduces the idea of social justice, as well as help the youth express their own views and concerns through art. But anyone in this field knows it’s more than that. If you ask me, my number one job is to build strong, long lasting relationships with my youth. The type of relationships that save lives.

Why do you do what you do?
I was born and raised in what I like to call a concrete jungle. It’s easy to be overlooked or judged when you’re a young minority from a community that suffers from poverty, turf wars and gentrification. I remember while growing up the only safe space I had was the local community center and teen spaces. I will never forget the impact those places had on me. I guess now I just want to be who I wish I had when I was younger.

What comes easiest to you in this work?
The easiest thing for me about this job is connecting with the youth. There is no science to it. I just do it. I was born and raised in the same streets they are navigating today. I know their struggles, their challenges and their desires. I know what they have to go through on a daily basis. I know how it feels to leave your neighborhood and feel as if you’re crossing into enemy territory. I know how it is to stay out of trouble but still be considered part of the problem just because of where you live or who you hang out with. These things can’t be thought. They must be lived.

What challenges you in this work?
The one thing that challenges me most is not being able to serve every youth that I come across. Sometimes it’s because of limited space or funding, but it hurts me to meet a youth and not be able to serve them the way they need to be served. Some youth require a lot more attention than others do, and that is not something easy to live with. In this job you need to know when to ask for help, and asking for help wasn’t something I did a lot of growing up.

What does it mean to your community that you do this work?
The beauty of all of this is that I currently work for the same Creative Youth Development Program I attended when I was a teenager. I have been blessed with the opportunity to work in my community and serve children I literally saw grow up around me. At this point, I can only speak from what I been told and I like to think that it means a lot to my community to see me doing this type of work. There has been many cases where parents feel a lot more comfortable allowing their kids to participate once they know it’s me who’s running the workshop or activity. That has to count for something.

How do you blow off steam?
Believe it or not, I go for walks around the city. No destination in mind. I just leave my house and wander around. There’s something about this process that I find therapeutic. I let my spirit guide me as I am studying people, soaking in the sounds and just watching an entire city live around me.

What do you create in your free time?
Easy- photographs and poems.

What music do you like listen to (if even a little too loudly)?
I must admit, I am possibly the biggest Blackbear fan in Boston. I love his music because it’s real. There’s no filter or sugarcoating to it. It is what it is. I like to think my art is the same way.

The unauthorized biography of your life is titled:
“Building New Rome”

What’s next?
That’s always a good question to think about. Truthfully, I am currently working on a poetry book and building my photography brand. I just want to continue building my name as an artist and youth worker in the Boston area.

See Pedro’s work:
www.flakoveli.com
www.instagram.com/mrflakoveli

Tortilla Social with Urbano

Various people sitting at a long table at Urbano, eating tortillas, and talking. Image by Faizal Westcott, courtesy of Urbano Project.Throughout Fall 2017, Urbano Project youth artists collaborated with interdisciplinary artist-in-residence, Salvador Jimenez-Flores on “Tortilla Socials” – public, interactive printmaking workshops in Jamaica Plain. Using a multi-functional tortilla press designed by Jimenez-Flores himself, participants of all ages had the opportunity to create their own art prints while eating freshly made tortillas.

an artist's working space is covered with tortilla-sized print-making plates, and some prints of a hand held into a fist. Image by Faizal Westcott, courtesy of Urbano Project.
Jimenez-Flores envisioned the people of Jamaica Plain gathering to create art, enjoy Mexican food, and engage in a bilingual dialogue in public community spaces. “Group print-making is a tool for self-expression,” said Jimenez-Flores. “Advocacy and education and food has long been a uniter of communities of all ages.”

A little girl looks at the print that's come from the torilla press in front of her, while 2 young adults look on, smiling. Image by Faizal Westcott, courtesy of Urbano Project.An opening reception and exhibition was held in December 2017 showcasing pieces created during workshops along with a film documenting the community art project.

In January, 14 Urbano fellows and youth artists joined Salvador and printmaker Amelia Spinney for the first time in a week-long printmaking intensive where they designed and produced a collaborative print for public display at the end of the week. Limited edition prints for public display and interventions related to Urbano’s 2018 theme of “Resilience and Sustainability” will be available. The exhibition will be open through March 3, 2018 in Urbano’s studio at 29 Germania St, Building F, Boston.

(Images: Faizal Westcott, courtesy of Urbano Project.)

Podcast: Pioneering Youth Entrepreneurship & Sustainability

Susan RodgersonOn the Mass Cultural Council’s podcast, Creative Minds Out Loud, we spoke with Susan Rodgerson of Artists For Humanity (AFH).

AFH was founded 25 years ago by Susan Rodgerson with a seemingly simple idea: Engaging urban young people in collaborative art making gives them a voice in the arts – and business – community. Rodgerson describes the evolution of AFH’s creative jobs program, which now employs 300 kids annually and earned just under $1.5 million last year. Committed to a sustainable future, Rodgerson also shares expansion plans for the EpiCenter, AFH’s building and first Platinum LEED building in Boston.

Listen to the episode.

Read the transcript.

Check out other episodes featuring Creative Youth Development leaders.

Cape Youth Reaching Forward

In the spring, Provincetown Art Association and Museum (PAAM) celebrated the Art on the Edge and Reaching Forward’s exhibition opening.

Art on the Edge (AOTE), a free studio program taught by professional artists to support the development of local artists ages 11-14, offers semester-long studio classes including art history presentations, opportunities to create individual and collaborative works of art, and exhibitions in the Museum School and galleries of PAAM. Students work with professional teaching artists and explore a variety of media, including painting, printmaking, sculpture, animation, and drawing.

The Reaching Forward Student Mentor Program (launched to dovetail with AOTE) provides professional development in the arts for 17-22 year olds. Student mentors learn from contemporary artists, develop leadership skills, deepen their own art practices, and serve as role models for their younger peers in the AOTE program. Many of the mentors have been AOTE students themselves and have also participated in Mass Cultural Council’s YouthReach funded program Art Reach, a free multidisciplinary afternoon immersion program for arts and humanities education offered to high school and college aged students.

This year’s exhibit included a variety of work including shadowboxes, plein air painting, and prints from plates:

Shadowboxes

Students learned about the ways artists create the illusion of depth by playing with scale and repetition in forms, perspective and color.

Provincetown Art Association and Museum's "Shadowboxes" Art on the Edge Exhibition

Plein Air Painting

Like French Impressionist painters of the 19th Century, students drew and painted outdoors, studied color relationships in natural light and used watercolors to sketch the bay at St. Mary’s of the Harbor.

Provincetown Art Association and Museum's "Plein Air" Art on the Edge Exhibition

Prints from Plates

Inspired by the maritime wood carving work of Clare Leighton, students worked directly from 12 original New England industries prints from PAAM’s collection. Students also went onto create their own plates.

Provincetown Art Association and Museum's "From Prints to Plates" Art on the Edge Exhibition

“I love the satisfaction of creating something and it being better than I thought I could do. And so, art is a good way for me to combine creative thought and process with my drive to constantly do better. Art Reach has given me a good opportunity to apply my skills and desires to practice and improve, by giving me new projects and art mediums that challenge what I know and what I can do.” – Nathan Balk King

“Each week, I’m excited to come back and work with friends. Regardless of whether we’re working together on a project, or just enjoying each other’s company. [PAAM’s] fantastic programs push me to be myself rather than someone I’m not.” – Keith Taylor

Hannah Capra with her collage. Photo: Art Reach at PAAM

Hannah Capra, a 16 year old from Marstons Mills currently in her junior year at Cape Cod Regional Technical High School, has blossomed from middle-school novice to practicing artist and a mentor to her younger peers.

“I have been making work at PAAM for 5 years now, and I have learned and grown here so much more than I ever thought I could. There is nothing better than taking negative emotion and turning it into something really beautiful. The feeling of putting so much of myself into my work, in attempt to help myself cope – and maybe help others – is my purpose,” she said.

Over the summer, Hannah’s work was featured in Shirl Roccapriore’s annual Youth Artist Program Exhibition at the Oils by the Sea Gallery in Provincetown which celebrates local talent and also serves as a fundraiser for Art Reach.

The value and rigor of PAAM’s programs are incredibly clear not only with beautiful work at an exhibition, but also through the meaningful relationships and growth students experience.