Category Archives: Music

Nano-Interview with Maria Doreste Velazquez of Berklee College of Music

Maria Doreste VelazquezName: Maria Doreste Velazquez
Organization: Berklee Institute for Arts Education and Special Needs and Boston Public Schools
Years in the Field: 10+

What do you do at the Berklee Institute for Arts Education and Special Needs?
During the past eight years I have been a piano, ensemble, and early childhood instructor as well as a new course developer. I have also presented several workshops and lectures at Arts Better the Lives of Everyone (ABLE) conferences as well as facilitated professional development opportunities for music educators around the state and internationally. I have also had the pleasure to be the music specialist at The Edison School in Brighton where I teach general music and coordinate the instrumental program.
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Podcast: Youth Workforce Development in Creative Industries

On the Mass Cultural Council’s podcast, Creative Minds Out Loud, we spoke with Kim Dawson, Director of Advancement at ZUMIX. A venerable creative youth development organization in East Boston, ZUMIX works with a largely immigrant community to better equip its youth to be able to navigate the world once they have graduated out of their programs and high school. Dawson shares how they are expanding their opportunities for workforce development to help youth gain the skills they need to be paid well to do something they really love.

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Podcast: There’s the Intent and There’s the Impact

Lecolion WashingtonOn the Mass Cultural Council’s podcast, Creative Minds Out Loud, we spoke with Lecolion Washington, CEO and Executive Director of the Community Music Center of Boston, about the barriers to seeing more diversity in symphony orchestras across America, what systemic change takes, and how to create an organizational culture that is success-based, not deficit-based.

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Nano-Interview with Elissa Johnson-Green of UMass Lowell

Elissa Johnson-GreenName: Elissa Johnson-Green
Organization: University of Massachusetts Lowell
Title: Assistant Professor of Music and Music Education
Genre: General music education focused on composition
Years in the Field: 20

What do you do at University of Massachusetts Lowell?
I teach future music teachers. I also have created and run a program called the EcoSonic Playground Project, which provides open access to musical instrument play for all children. We have brought this program to diverse learning communities in the US, Canada, and Ireland.

Why do you do what you do?
My whole life has revolved around music. After being a classical performer (flute and voice) for many years, I decided to shift my focus to music education. I started out as a music teacher in K-8 education. This experience taught me that children understand music as a powerful and meaningful force in their lives – one that they rely on for so many aspects of their social interactions, emotional development, artistic development, and learning. Now, as a professor who trains music educators, I teach my adult students how to approach teaching music from the perspective that music is at the core of what makes us human. I do this work because I want to influence my students to teach music as a dynamic, living art form and as an essential form of expression.

What comes easiest to you in this work?
Teaching! I am fortunate to work with amazing students who are dedicated to music education. They are talented, intelligent, and passionate about bringing music to all children.

What challenges you in this work?
All of the administrative tasks I need to do to make sure my program runs smoothly. Helping my students to navigate the scheduling system – and making sure they are on track to graduate.

What does it mean to your community that you do this work?
I take seriously my responsibility to provide high quality music educators to my community. Having more great music teachers available and working in the schools, means it’s more likely that the schools will value their music programs. My hope is to graduate students who will contribute to the growth and development of music education for all.

What music do you like listen to (if even a little too loudly)?
I listen to anything that I consider to be good music. Some of my favorites: Palestrina, J.S. Bach, Beethoven, Brahms, Prokofiev, Stravinsky, Bartok, Kendrick Lamar, Logic, Aretha Franklin, Koko Taylor, Led Zepplin, Rush, Bela Fleck, Abigail Washburn, Alison Krauss, and anything that Yo Yo Ma has ever played.

Seen any good movies lately?
Into the Spider-Verse. I highly recommend it.

Podcast: Opening Doors and Creating Pathways

Alexandra Oliver-Dávila On the Mass Cultural Council’s podcast, Creative Minds Out Loud, we spoke with  Alex Oliver-Dávila, Executive Director of Sociedad Latina, about the symbiotic relationship they have formed with numerous local colleges which allows their students to experience a pathway to higher education and bridges an institutional gap between higher education and community-based organizations.

Sociedad Latina is the oldest Latino youth organization in Boston. Its creative youth development program supports young people from middle-school into early college or career.

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New Book Published on CYD and Music Learning

Cover art for the book Music Learning as Youth Development.

Music Learning as Youth Development, a new book published in June 2019, highlights the role of community based Creative Youth Development (CYD) organizations as catalysts and trailblazers for bringing youth development practices into all areas of music learning.

Utilizing case studies and stories from organizations around the world — including Massachusetts-based programs such as Zumix, Berkshire Children and Families, the Sci Tech Band, Elevated Thought, Community Art Center, The Theater Offensive, RAW Art Works, and others — the evolution and impact of CYD is traced alongside the development of the youth development field.

Looking forward, this book is an important step in moving youth development into the center of music learning in schools, community based settings, higher education, and professional performance settings.

Erik Holmgren of Mass Cultural Council authored a chapter called, “Changing the Ecology of Music Learning: Lessons from Creative Youth Development,” and the book was edited by Larry Scripp of the New England Conservatory and Brian Kaufmann from the University of Maryland Baltimore County.

Podcast: Sonido Musica in Harmony

Eileen McCaffery and Julie JaronOn the Mass Cultural Council’s podcast, Creative Minds Out Loud, we spoke with Eileen McCaffery, Executive Director of Community Music School of Springfield, and Julie Jaron, Director of Visual and Performing Arts for the Springfield Public Schools, to discuss their work over five years on the Sonido Musica program, a partnership that aims to reduce Springfield’s high school drop-out rate through student engagement, leadership, and performance opportunities. What started with three public schools and 60 students has grown to 18 schools and nearly 1,000 student musicians! Now nearby Holyoke wants to replicate this model. Their goal was not to have the Community Music School replace music education in the public schools, but rather to help principals and administrators see the power of the arts working every day in their school.

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Championing Creative Youth Development

by Gustavo Dudamel and Anita Walker

Look and listen closely to the student ensemble from Boston String Academy and you experience something profound. You hear music, of course: works from the classical repertoire played at extraordinarily high levels. You see learning too—rapt attention, mathematical precision, deft coordination. Peer more deeply and there’s still more: creativity, connection, community.

This is the power of the ensemble under the El-Sistema-inspired model of music education. Led by highly trained, caring teachers, a rich curriculum, and challenging opportunities for public performance, Boston String Academy students and thousands like them across Massachusetts are redefining what art means to young people, particularly those struggling against poverty and other socioeconomic barriers. They come to understand themselves not only as musicians and performers, but as citizens who matter and can make a difference in their community. This model of learning transcends music and is being adopted in the visual arts, theater, history, and science. It’s called creative youth development and it is drawing attention from educators and policymakers across the nation.

We have come to be champions for creative youth development from very different places: One of us was steeped in El-Sistema from childhood, under its founder and his mentor, Maestro Jose Antonio Abreu, who later initiated a ground-breaking cooperation between El Sistema in Venezuela and the New England Conservatory. The other saw El Sistema’s power on visits to South America and other US cities with NEC, then undertook to plant its seeds more deeply and broadly here in Massachusetts.

Those seeds continue to blossom. Mass Cultural Council now supports more than 22 El-Sistema inspired music programs across the Commonwealth through its SerHacer Initiative—from Lawrence Public Schools’ first-even string orchestra, to Kids 4 Harmony, grounded in a social service agency called Berkshire Children and Families that serves some of that region’s most vulnerable youth. At the same time the Council continues a decades-long investment in dozens of creative youth development initiatives that reach youth through other disciplines—from The Care Center in Holyoke, where history and literature open teen mothers to new ideas and new life possibilities, to Provincetown Art Association and Museum’s ArtReach, where teens learn about themselves and the world around them through drawing, painting, and digital artmaking.

On April 8, we joined state legislators, philanthropic and civic organizations, and cultural leaders at WBUR’s new CitySpace to honor these efforts and others with the 2019 Commonwealth Awards, Massachusetts’ highest honors in the arts and culture. These Awards remind us that even amidst our highly politicized and polarized world, art and music unite us. Leonard Bernstein, our great native son whose centennial we just celebrated, put it this way: “It is the artists of the world, the feelers and the thinkers who will ultimately save us; who can articulate, educate, defy, insist, sing and shout the big dreams.” It is true: everyone who contributes to the creation of beauty in this world helps carve out the vital time and space for people of all walks of life, all cultures and diverse political views to dream together. That is the power of music. And we need music today more than ever.” 

Massachusetts was not just the birthplace of the American Revolution, it is also at the heart of this nation’s cultural revolution. This state is renowned for creating and fostering some of the most esteemed institutions – both large and small – in the arts and education. And from such institutions come ideas and creative experiences that make people talk, think, and feel. The people and organizations of Massachusetts have brought joy and passion to millions of people, and helped fundamentally shift the paradigms of our social, intellectual and artistic understanding.

Let’s make sure we continue listening to each other and working together to foster a world that cultivates, embraces and empowers the arts. A world without them is unacceptable – and unimaginable.

Gustavo Dudamel is Music Director of Venezuela’s Simón Bolívar Symphony Orchestra & Music & Artistic Director of the Los Angeles Philharmonic.

Anita Walker is Executive Director of the Mass Cultural Council, a state agency supporting the arts, humanities, and sciences.

Mass Cultural Council’s SerHacer program is supported by the Dudamel Foundation.